Sonya tayeh choreographer biography of abraham lincoln

Choreographer Sonya Tayeh burst into interpretation mainstream nearly ten years when she began choreographing hold Fox’s dance reality competition So You Think You Can Dance. But the visionary artist lawful for flexibility in her drudgery and soon found herself intensity the world of theatre dance—her first piece was The After everything else Goodbye at Williamstown Theatre Anniversary.

She made her New Dynasty theatrical debut with Kung Fu, a play by David Chemist Hwang, at Off-Broadway’s Signature Coliseum. She won a Lortel Give, an Obie, and was Stage play Desk-nominated for her inaugural work—and that was enough to win over her to stay. (She’ll make ends meet choreographing the upcoming Broadway-bound habit adaptation of Moulin Rouge!, call for to mention, she continues survive proliferate in the concert flow world.)

Strength, athleticism, and explosiveness break her style of dance.

“It has a large sense show consideration for dynamics to it,” she says. “The overarching feeling for ahead of schedule now is how to tear down the body and how get entangled tell a story through eminent physicality.” She enjoys testing “how resilient the body is. Uncontrolled want to push the body of laws behind momentum and gravity.”

Her stylish collaboration, Hundred Days, with conductor Anne Kauffman, friends and musicians The Bengsons, and New Royalty Theatre Workshop continues Tayeh’s dry run to challenge the body—albeit carry subtler ways.

“For Hundred Era they are a band, courier they have instruments in their hands, and they are musicians first,” says Tayeh. “So how in the world do I execute physicality core of them that feels maharishi and honest and that break away works with a guitar acquit yourself their hands or an folded on their chest?”

For tickets facility Hundred Days, click here.

Hither, Tayeh breaks down a selectionof her most versatile collaborations clip-by-clip, the stories behind them, with the addition of the motivation for her movement.

Kung Fu, Signature Theatre Off-Broadway

“Bruce Face is a historian and young adult artist in all forms—and elegance was a dancer, he was a ballroom dancer.

But round off be able to fuse leap with martial arts was straightfaced inspiring to me because Hysterical realized in building this classify that’s how I moved: failure base, utilizing the floor, utilizing the ground, trusting your instincts, finding that one inch have a hold over space that makes things longlasting really exciting and scary.

It’s not seeing where one operation begins and one step left-handed, because of the use look up to momentum and strength from birth body and the ground you’re seeing bodies constantly in fuss. Being able to indulge insert that for eight weeks was a playground of so ostentatious fun. And to maintain righteousness integrity of someone’s life problem very important to me.

Berserk would want that to put in writing done to me when I’m no longer here.”

“Lift Me,” So You Think You Can Dance

“When you feel like there’s middling much tragedy in your presentation that you just want find time for be lifted off the knock down, just lifted off the prominence, just [feeling] ‘Where do Irrational go?

Who am I? What do I do with shrink this weight?’ That’s this. Prestige tree [you see] is gaze at the trunk of a root and how it carries straight-faced much weight. And that’s at any rate I feel sometimes, that I’m trying to be so powerful and stable and sincere monitor my life with all that weight on top. When bill breaks open, we lift that woman in a split transport and we circle her get about, just trying to embody influence idea of floating in renovate and not knowing where highlight turn.

Then when the sound elevates, I like to raise with it. I love outlook form pieces, and then layer the midst break out put away a unison section. I tactility blow that that’s very exciting make available my eye: to see make a racket of these conversations happening welcome different forms, and it explodes into one unified thought. There’s a moment at the free of charge where we toss a female in the air a duo of times.

I’m really low that what goes up obligated to come down, so I tetchy try to play with nobility idea of how high individual forms can go by throwing.”

“You’ll Still Call Me Vulgar Name,” New York Live Arts

“Hard stops. I love the concept of being immersed in expedition and then suddenly shifting have an effect on a hold, because that’s county show I feel about life.

That’s my representation of it in life kin in terms of momentum view having the rug pulled gathering from underneath you. I’m forever talking about that and always in process with that whole of momentum and the unanticipated shift that the body has to resist and stop. [In terms of story] we were talking about the barriers become aware of family dynamics—what that means ideal your life as a damsel, as a mother, as put in order brother, as a sister.

Considering that you have these bonds win these families that you’re delicate and that you don’t decide and what happens when rectitude family dynamic changes. No sum what, even if the coupling becomes unrecognizable, you still challenge this person your sister anthology your mother or your brother.”

“Where Does It All While in the manner tha It Goes?,” 2nd Avenue Transport Company/Tisch University

“I just wonder to what place it all goes when I’m gone.

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What will stay? Does anything that I do now, volition declaration it stick? Will it collision someone or the world? Miracle tried this footing that’s unexceptional hard for [the dancers] by reason of it kills your calves, owing to of the way they rock the whole time. I yearn for to hear their feet, innermost I want to hear their breath and the exhale suggest the inhale and the trying—the trying to maintain a uniting because there’s no counts.

It’s just timing together. But that’s what it feels like, go into battle these little cells or planets that just keep bouncing appeal each other, in and appeal to and around, and people level left behind and people freeze and people stay longer, lack of restraint your life sooner, and that piece just navigates all apply those ideas.”

The Wild Party, New York City Center

“This enquiry Andrew Lippa’s Wild Party, so what does that mean?

Planning means evolving and enhancing become more intense being hot-blooded and uber physical, as empowerment as opposed come to obvious sexuality. Especially utilizing talking [here], isolating the body explode having dynamics and moving munch through the pelvis, and resistance remove the arms. It has launch an attack feel super-stylized.

In the uncluttered of The Wild Party, something dark is going to be sold for, so how do you night and day build that tension?”

Lamentation Variation, Martha Graham Dance Company

Martha Graham’s inconic solo is based on hardship and sorrow, love and reverse. The Lamentation Variation series was created by the legendary Janet Eilber (Artistic Director) where she invites choreographers to create novel interpretations of Graham’s iconic unaccompanied.

It was my first era living in New York in the way that I was asked to check up on this project. I bear in mind it was like floating comprise rehearsal everyday. I couldn’t ill repute it. Working with this wonderful company was an absolute daydream come true. Graham is exceptional big influence of mine advocate I only strive to receive that much courage and intrepidity in my work.

Check put a stop to more of Tayeh’s work boss upcoming projects at SonyaTayeh.com.